Haderlump Atelier Berlin EXLibris
“Exlibris,” Latin for “from the books,” refers to the small printed plates once placed inside personal books to signify their owner.
On a warm July evening in Berlin, Haus der Visionäre opened its doors to 450 guests for HADERLUMP’s Spring/Summer 2026 show, EXLIBRIS. Calm, intimate, and quietly charged, the setting felt deliberately chosen — a place where reflection comes naturally. What unfolded was not a spectacle driven by excess, but a considered exploration of identity, ownership, and what it means to leave something behind.
The collection takes its name from Ex Libris — the small printed plates once glued inside books to mark ownership. Often ornate and symbolic, they acted as personal signatures: visual statements of taste, belief, and selfhood. Rather than translating these directly into motifs, HADERLUMP absorbs their spirit. EXLIBRIS is less about the object itself and more about the idea of authorship — who claims something, who shapes it, and how that mark survives over time.
Under the creative direction of Johann Ehrhardt, the collection moves confidently between strength and softness. Structured bombers and broad-shouldered coats anchor the silhouettes, while corseted blouses and fluid skirts introduce tension and movement. There’s a sense of balance throughout — garments that feel deliberate, almost archival, yet unmistakably contemporary. Each look reads like something owned rather than styled, personal rather than performative.
“These miniature artworks, rich in detail and symbolism, served not only as marks of possession but also as portraits of identity.”
Materials deepen this feeling. Denim, leather, and deadstock linen form the backbone of the collection, chosen for their durability and character. The textures recall well-handled books and worn bindings — surfaces shaped by time and use. The color palette follows the same logic: muted tones of parchment, faded ink, charcoal, and softened neutrals. Nothing shouts, but everything lingers.
Collaboration continues to be an essential part of HADERLUMP’s world. For EXLIBRIS, the brand partnered with Berlin-based accessories label Liebeskind, reworking archival bag styles into contemporary expressions of ownership. These pieces function like modern-day bookplates — objects that quietly say, this belongs to me. Hair and makeup, developed with Caia Cosmetics, complemented the collection’s interplay of structure and fluidity, reinforcing the natural movement of the looks.
Sound played a subtle yet powerful role. A live, object-based soundscape by Chontane shifted throughout the space, following the models as they moved. The effect was immersive without being overwhelming — reinforcing the idea of presence, of being here now. Casting, developed with Joy Livia, reflected the brand’s continued commitment to individuality and authenticity.
“A motto, a coat of arms, a mythological figure—each one a quiet yet deliberate declaration: This is mine. This is who I am.”
EXLIBRIS doesn’t romanticize the past, nor does it reject it. Instead, it asks how meaning is carried forward — especially in a time when so much feels temporary. The collection treats garments as personal artifacts: intentional, lived-in, and quietly expressive. In a fashion landscape dominated by speed and saturation, HADERLUMP chooses restraint, depth, and clarity.
With EXLIBRIS, the brand continues to refine its language — translating history into something wearable, relevant, and emotionally grounded. It’s a reminder that identity doesn’t need to be loud to be lasting, and that sometimes the most powerful statements are the ones written softly.